
SeaDream I Sailing the Adriatic SeaDream Photo courtesy of SeaDream
Queen of the Seas
When I mention to friends that I have sailed into Venice, known as Queen of the Seas in times past, they ask, “What’s so special about it?” My answer is that the city-state that once dominated the known world is the most romantic, enchanting place I’ve ever seen, the most poetic, with the most magical light.
Canals and Bridges Galore
With its 100 or so rii (canals) and 400 bridges, Gothic and Renaissance hotels and houses, arcaded shops and galleries and the famous colonnaded pink and white marble Doge’s Palace (former home to the Doge or chief magistrate of Venice and now a museum) this dreamscape which covers only three square miles is truly one of the world’s most beautiful cities.
Marco Polo embodied the enterprising spirit of 13th century Venice. By 1380, after defeating its rival, Genoa, Venice finally became queen of the seas among European nations. This sea-consciousness was expressed by the sybolic marriage ceremony of the doges with the Adriatic, celebrated with marvellous pomp on the beautiful gilded gondola, the Bucentaur, the state galley of the doges of Venice.
The Academy of Gondoliering
If you would like to try your hand at gondoliering, contact the Academy of Gondoliering in Venice. There are 400 licensed gondoliers who take passengers on rides in the famous flat-bottomed black boats. The number to call from North America is 011-(39)041529871.
St. Mark’s Square
AS we glided along my eyes sought the colours of Venice – the Venetian reds and gold and the famous winged lion of St. Mark, the emblem of Venice which sea breezes furl and unfurl continuously on Venetian flags. Since Venice is a car-free city, the only way to get around im yhid dmsll, floating mirage is to take a waterbus or a motor-boat, known as a water taxi. In fact, the city is built on 118 alluvial islets within a lagoon in the Gulf of Venice.
As the water-bus pulled up to the floating bus stop, I turned reluctantly from the superb facade and dome of the Church of Santa Maria della Salute (1631) on the other bank, took in the exquisite grouping of Palladio’s church and tower and dome on the island of San Giorgio, and then stood hypnotized by the architectural composition that is the Piazza San Marco.